‘In a fascinating and expressive performance of totality, Sagazan changes identities on stage – from man to animal and from animal to various hybrid creatures. He pierces, obliterates and unravels the layers on his face in a frenzied search for new essence and form. 

In this regard Sagazan has stated “I am flabbergasted in seeing to what degree people think it’s normal, or even trite, to be alive.” In Transfiguration he gives new meaning to the notion of life, offering a captivating, disturbing and stirring glimpse into an alternative selfhood utterly unconstrained by inhibition.’